Landing a gig in a Broadway pit is about more than just being talented or prepared—although that’s important, too. Music directors are looking for musicians who bring something unique to the table and can fit into the group's chemistry. It’s not just about being the best at your instrument; it’s about being the right fit for the team and the project.
In this video, we break down what music directors are looking for and how you can stand out—not just as a player but as a collaborator. If you’re serious about working on Broadway, this is the kind of insight you need.
Also, don’t miss the latest podcast episode featuring Nate Patten, the conductor of the new holiday musical Elf, now playing at the Marquis Theatre in Midtown!
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Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.
Clayton’s Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson’s Bar and Grill, Ain’t Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he’s contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.
Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, Aquarian Drumheads, and Empire Ears in ear monitors.
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